PaymentPaymentAuditionAuditionMariinsky Theatre, St Petersburg (2017)
Mariinsky Theatre, St Petersburg (2017)
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Royal Opera, London (2006)
The Metropolitan Opera, New York (2000)Mariinsky Theatre, St Petersburg (2017)
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Mariinsky Theatre, St Petersburg (2005)
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Mikhailovsky Theatre, St Petersburg (2013)
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Mariinsky Theatre, St Petersburg (2012)
Mariinsky Theatre, St Petersburg (2012)
Mariinsky Theatre, St Petersburg (2010)
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Opéra National de Paris, Paris (2001)
Teatro alla Scala, Milano (1998)

Vladimir Galouzine

dramatic tenor

Vladimir Galouzine is indisputably one of the world’s leading dramatic tenors, known for his unrivaled stentorious voice and extremely vivid characterizations of some of the most demanding roles. He is in much demand internationally, performing regularly during the last two decades as a guest of most of the world’s most prominent opera houses, concert halls and festivals, including: New York’s Metropolitan Opera, Chicago’s Lyric Opera, the San Francisco Opera, the Houston Grand Opera and the Los Angeles Opera in the United States; London’s Royal Opera House, Covent Garden, in the United Kingdom; Milan’s Teatro alla Scala e.t.c.

Introduction

Vladimir Galouzine is indisputably one of the world’s leading dramatic tenors, known for his unrivaled stentorious voice and extremely vivid characterizations of some of the most demanding roles.

He started his career as a member of the Mariinsky Theater in Saint Petersburg, Russia, performing a myriad of leading roles from both the Russian and the Italian repertoire, including, amongst others: the title roles in Verdi’s Otello and Don Carlo and Rimsky-Korsakov’s Sadko, Radames in Verdi’s Aïda, Calaf in Puccini’s Turandot, Des Grieux in Puccini’s Manon Lescaut, Cavaradossi in Puccini’s Tosca, Alexey in Prokofiev’s The Gamblers, Sergey in Shostakovich’s Lady Macbeth of Mtsensk, Khovansky in Mussorgsky’s Khovanschina, Canio in Leoncavallo’s I Pagliacci; and the role of which he is widely considered the world’s most outstanding performer: Hermann in Tchaikovsky’s The Queen of Spades.

He is in much demand internationally, performing regularly during the last two decades as a guest of most of the world’s most prominent opera houses, concert halls and festivals, including: New York’s Metropolitan Opera, Chicago’s Lyric Opera, the San Francisco Opera, the Houston Grand Opera and the Los Angeles Opera in the United States; London’s Royal Opera House, Covent Garden, in the United Kingdom; Milan’s Teatro alla Scala; Venice’s La Fenice, the Teatro Verdi in Trieste, the Teatro Comunale in Bologna as well as Florence’s Teatro Comunale; the Vienna State Opera in Austria; the Opéra National (Bastille) and Théâtre de Chatelet, both in Paris, as well as Toulouse’s Théâtre de Capitole and the Marseille Opera in France; Madrid’s Teatro Real and Barcelona’s Grand Teatre del Liceu in Spain; both the Mariinsky Theater in St. Petersburg and the Bolshoi Theater in Moscow, Russia; Amsterdam’s Nederlandse Opera in The Netherlands; the Deutsche Oper Berlin, the Cologne Opera and the Baden-Baden Festspielhaus in Germany; the New National Theater in Tokyo, Japan; the New Israeli Opera; and the Teatro Colón in Buenos Aires, Argentina. In addition, he has performed at the Salzburg, Bregenz and Edinburgh Festivals and Washington’s Kennedy Center; London’s Royal Albert Hall; the Chorégies d’Orange and the Arena di Verona.

Vladimir Galouzine has collaborated with many of the world’s most important conductors including Valery Gergiev, Carlo Rizzi, James Conlon, Dennis Russell Davies, Marcello Viotti, and stage directors such as Franco Zeffirelli, Graham Vick, August Everding, Giancarlo Del Monaco and Elijah Moshinsky.

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Repertoire

Leoncavallo
Canio
Pagliacci
Musorgsky
Grigoriy
Boris Godunov
Musorgsky
Andrey Khovansky
Khovanshchina
Vasiliy Golitsin
Prokofiev
Agrippa
The Fiery Angel
Alexej Iwanowithsch
The Gambler
Puccini
Pinkerton
Madama Butterfly
Renato Des Grieux
Manon Lescaut
Mario Cavaradossi
Tosca
Calaf
Turandot
Shostakovich
Serguei
Lady Macbeth of Mtsensk
Tchaikovsky
Herman
The Queen of Spades
Lensky
Yevgeny Onegin
Verdi
Radames
Aida
Don Alvaro
La forza del destino
Rodolfo
Luisa Miller
Otello
Otello

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Critics

The tenor is undeniably most famous for his interpretation of Hermann in “The Queen of Spades,” which he has championed more than, perhaps, any other tenor in the world. He has reprised the role throughout the years in both his native language and French at the biggest houses around the world. His interpretation is renowned for its intense acting and vocal wildness, the tenor’s darker vocal colors adding to the grimness and tragic nature of the protagonist.

David Salazar - operawire.com

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